Carrie Ann (8): “There was a lot of bounce going on but it wasn’t sending the Samba message. It was sending another kind of message, you know what I mean? Which is not a bad thing for a lot of girls out there. You have incredible potential as you showed last week. I think you are phenomenal but if you really want to go all the way, you really need to focus on your technique, and getting the right particulars of a dance.”

Donnie (7): “I’ve watched you Romeo, am really interested because I really admire you and I have watched you grow throughout the season. You started off, you did not think it was cool. You have achieved elegance and grace. But, baby, you may have a party in our pants, but you have an earthquake in your shoes when you hit the floor. Measured about a 6 on the Richter Scale.”

Len (7): “I didn’t like it. You talked the talk but you didn’t dance the dance. We’re at the nitty gritty stage of this competition. Anyone of the couples can win and any one of you can go home. It all depends on the performance Monday night. You’ve got to up your game.”

Bruno (10): “I like the way you play it. Big. Strong. Masterful. Determined. Yet you manage to maintain the slinky, smooth stealthy action of a (?) on the prowl… That was a killer Tango.”

Carrie Ann (9): “What you do that’s so unique and sets you apart is that you take command of every dance. But tonight you were a bit off balance, trying a new hold.”

Donnie (9): “My old dance teacher used to say to me ‘dance from your heart but use your head’ and I think you do that. You have a winning mentality…Your arms looked like American Airlines, looked like you were going to fly.”

Bruno (9): “For me it was more than a Quickstep. It was how to grab a quick one at the Speakeasy… And you got it! That was so vivid, so vibrant. You sell it like no one else can. Really really good.”

Carrie Ann (9): “BOOYAH! You’re back. I’m so proud of you, Ralph. You had some really rough weeks. Full exuberance, passion and fun.”

Carrie Ann (7): “I just love you so much because you bring nothing but incredible performances and complete entertainment. But it just wasn’t quite enough of the Jive, when you were side by side, you were not in sync…. You are looking amazing, I wish I had better remarks tonight.”

Donnie (9): “I really like it. I buy it…They say in piano and music, the real talent is in between the black and the white keys, and in dancing, the talent is in between the steps. Mechanically you may not be the best dancer here, but you have a talent in between the steps and you fill it with your spirit of who you are…Don’t ever forget, you were a star before you even got here.”

Len (6): “It was fun, it was high energy, it was playful. You’re an actress and you act every dance beautifully. However, as a Jive it was most uneventful…I was disappointed. Your kicks were leaden [surprised no other judge but Len saw what I saw] and I could find very little to commend it.”

Bruno (8): “You might have gone wrong but as an entertainer, it was superb. It was so enjoyable to watch. It was hard for you to do the jive, but your musicality and your instinct was right on the money.”

Kendra Wilkinson-Baskett and Louis van Amstel danced the Tango to Billy Fury’s Jelousy. Kendra said this was the hardest choreography for her to date and Louis even told her at one point during the rehearsals she looked like she was sitting on the toilet she looked so stiff. Luca Barricchi came to the rescue to co-teach the former Playmate and Kendra felt like she had finally nailed the Tango. Kendra did look confident on the dance floor, but I felt that she did not bend her knees at times when she should have.

Carrie Ann (8): “I’m sooo proud of you. That was nothing but sophistication, elegance, confidence. It was the most beautiful expression of sophistication I have seen from you the whole journey.”

Donnie (8): “I watched you last week break off the shackles and come out of your cocoon…The content of the choreography you tried was massively difficult… I thought you did a bloody good job.”

Len (7): “You coped very well with the demanding choreography. I thought the steps were clean and clear…I wanted it more crisp and as much as I hate to admit it, Bruno was right, you tended to cling on. You need to lift up [your chest]. I thought you did an excellent job with a difficult dance.”

Chelsea Kane and Mark Ballas danced the Paso Doble to Deadmau5 Ghosts N Stuff and Mark wanted her to get into the character of the aggressive bullfighter but knew that would be hard for Chelsea because she is always laughing [IT’S SO TRUE, click here to see pictures of Mark and Chelsea which I took last week, she’s laughing in every single one!]. Mark enlisted the help of his mom, Shirley Ballas, to teach Chelsea how to be a bit more passionate and scary. Their dance was dramatic, intense, techno, modern, and as always, well-choreographed. They got a standing O from the audience but the judges were mixed, and half were left  “confused!”

Len (8): “I get confused. It was too much aggression in my face, it had no refinement to it.”

Bruno (9): “Chelsea, the ball breaker, you came out here and danced with almost violent intensity. It was like a Quentin Tarantino Paso Doble. What you showed is range. The creativity of it was outstanding.”

Carrie Ann (9): “I usually love tradition. Tonight, I’m gonna say ‘Out with the old, in with the new!’ That was the best impression of the Paso Doble. Totally progressive, pushing the boundaries, pushed them wide open. Great job.”